The reporter learned from the Anxi County Cultural Department that the production of Lam Tin brush was selected as a municipal intangible cultural heritage list.
A few days ago, the reporter went to the home of Zhang Caizhi, the inheritor of Lam Tin's brush making skills, and he was just making a brush. Master Zhang said that the production process of Lan Tian brush is very complicated. From the preparation of raw materials to finished products, it usually takes 12 major processes, and from this, it can be subdivided into more than 120 small processes. In many processes, the choice of materials, basins, knots, and pens are the four priorities.
The writing brush made by Master Zhang was recognized by the calligraphy world. Master Chang’s cousin even started the “Tszhuang Village†in Taiwan and was deeply loved by the calligraphy and painting community. He was evaluated by the painting and calligraphy colleagues as: “To mention but not to spread, to lay down is not soft, and the stroke is sharp and rigid and soft.â€
It is reported that Lantian's writing skills have been passed down for more than 400 years. Zhang Caizhi said that when he was a child, every household in the village was engaged in brush writing. With the increasing popularity of pens and pencils, the skills of brush making were gradually being forgotten. Nowadays, there are not many people engaged in writing brush production. The inheritance of brush-making techniques must be taught face-to-face and brush-making. It is both hard and unprofitable and many young people are reluctant to learn. He hopes that more young people will inherit the traditional skills of brush making.
A few days ago, the reporter went to the home of Zhang Caizhi, the inheritor of Lam Tin's brush making skills, and he was just making a brush. Master Zhang said that the production process of Lan Tian brush is very complicated. From the preparation of raw materials to finished products, it usually takes 12 major processes, and from this, it can be subdivided into more than 120 small processes. In many processes, the choice of materials, basins, knots, and pens are the four priorities.
The writing brush made by Master Zhang was recognized by the calligraphy world. Master Chang’s cousin even started the “Tszhuang Village†in Taiwan and was deeply loved by the calligraphy and painting community. He was evaluated by the painting and calligraphy colleagues as: “To mention but not to spread, to lay down is not soft, and the stroke is sharp and rigid and soft.â€
It is reported that Lantian's writing skills have been passed down for more than 400 years. Zhang Caizhi said that when he was a child, every household in the village was engaged in brush writing. With the increasing popularity of pens and pencils, the skills of brush making were gradually being forgotten. Nowadays, there are not many people engaged in writing brush production. The inheritance of brush-making techniques must be taught face-to-face and brush-making. It is both hard and unprofitable and many young people are reluctant to learn. He hopes that more young people will inherit the traditional skills of brush making.
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